Relax放轻松放輕鬆

In an era of hyper-information, our parameters for perceiving reality are quietly shifting. Faced with sudden changes, taking a step back to "relax" has evolved into a new methodology for living. In this exhibition, the three artists adopt a stance of quiet retreat to re-examine the boundaries between landscape, body, and memory.

Jin Jiachen constructs "emotional archives" on cotton fabric using acrylic and pastel. Drawing from her experience in caregiving, she adopts a perspective of simultaneous participation and detachment. Her works explore how pain and vulnerability shape the body, transforming unspeakable trauma into visual metaphors that bloom like fireworks and dissipate like fog.

Jia Liuna utilizes ceramic paint and tiles to transform landscapes into slices of the mind. Her imagery resembles precisely edited cinematic shots, suspending an "untouchable temperature" within the negative space. The inherent luster and subtle cracks of the tiles compel a sense of alienated scrutiny, even within their intimate, palm-sized dimensions.

Song Bowen’s painting is an intuitive extension of the physical body. Driven by a "primordial force," he delves into the study of the medium—abandoning distant observation for an intimate, tactile exploration on the canvas. The layered traces of bodily movements serve as memory triggers, awakening moments that are otherwise nameless and silent.

LAX is not a passive compromise, but an attempt to reconstruct our worldview: establishing a safe distance through retreat, and reaffirming our position through gentle interactions with the world's surface.

在这个超高度信息化的时代，我们感知事物真实的基准正发生偏移。面对突如其来的变化，以退为进的「放轻松」逐渐成为一种新的生活方法论。本次展览中，金佳辰、伽留那及宋博文三位艺术家，借由悄然后退的姿态，重新审视风景、身体与记忆的边界。

金佳辰以丙烯与色粉在棉布上构筑“情感档案”。她从看护疾病的经验出发，以既参与又抽离的视角，探讨疼痛与脆弱如何塑造身体，将无法言说的创伤化作如烟花绽放、如雾弥散的视觉隐喻。

伽留那以陶瓷漆与瓷砖为媒介，将风景转化为心绪的切片。她的画面如同被精准剪辑的电影镜头，留白中悬浮着“触不到的温度”；而瓷砖特有的光泽与断裂感，又在掌心尺幅间强制拉开了一道疏离的审视距离。

宋博文的绘画则是身体的直觉延伸。他以“元初力”切入媒介研究，放弃远观，转而在画布上进行贴近、摩擦与摸索。身体动作层层叠加的痕迹，成为了唤醒那些无名片刻的记忆触发点。

「放轻松」并非消极的妥协，而是一种重构世界观的尝试：在后退中建立安全距离，以触碰世界表面的轻微动作，重新确认自身的位置。

在這個超高度信息化的時代，我們感知事物真實的基準正發生偏移。面對突如其來的變化，以退為進的「放輕鬆」逐漸成為一種新的生活方法論。本次展覽中，金佳辰、伽留那及宋博文三位藝術家，藉由悄然後退的姿態，重新審視風景、身體與記憶的邊界。

金佳辰以丙烯與色粉在棉布上構築“情感檔案”。她從看護疾病的經驗出發，以既參與又抽離的視角，探討疼痛與脆弱如何塑造身體，將無法言說的創傷化作如煙花綻放、如霧彌散的視覺隱喻。

伽留那以陶瓷漆與瓷磚為媒介，將風景轉化為心緒的切片。她的畫面如同被精準剪輯的電影鏡頭，留白中懸浮著“觸不到的溫度”；而瓷磚特有的光澤與斷裂感，又在掌心尺幅間強制拉開了一道疏離的審視距離。

宋博文的繪畫則是身體的直覺延伸。他以“元初力”切入媒介研究，放棄遠觀，轉而在畫布上進行貼近、摩擦與摸索。身體動作層層疊加的痕跡，成為了喚醒那些無名片刻的記憶觸發點。

「放輕鬆」並非消極的妥協，而是一種重構世界觀的嘗試：在後退中建立安全距離，以觸碰世界表面的輕微動作，重新確認自身的位置。